Archive for October, 2010
ROCK N’ ROLL has always lived by the SEXY image. It’s nothing new. And the ladies of rock n’ roll have literally upped the ante in the last 15 years.
Heck I still dig the album cover of Herb Alpert and the Tijuana Brass Whipped Cream and Other Delights. That recording sold 6 million copies in 1965. And the image helped!!!!!
When I saw the recent cover of MAXIM with the hugely talented Avril Lavigne besides catching my eyes, I thought…..NOW THAT’S MARKETING.
Let’s face it, the ladies’ SEXY IMAGE has literally sold milllions of albums to the male demographic.
BUT WAIT… I’m sure the guys have bought a few too. Then again they probably settled for a MAXIM mag
SEXY Image in pop culture SELLS.
Ditto for the recent sexy KATY PERRY cover of ROLLING STONE and of course who could forget SHANIA TWAIN when she did her covers of ROLLING STONE and MAXIM
BOTTOM LINE..is most artists male or female live and breathe by the IMAGE whatever it is.
Problem is you have to maintain that image! So if you start out SEXY like SHANIA, BEYONCE or whoever…. it becomes as vital as the music you make.
MAYBE EVEN MORE SO!!!!!!
WHY HAVE stars like ERIC CLAPTON or let’s say a blues icon like BUDDY GUY stayed cool?
It seems they have earned their “elder statesmen star status” by still writing and recording and YES still playing their butts off in a live context..
WHO KNOWS if JAY-Z or someone like ADAM LEVINE from Maroon 5 are going to have to live off their images if they can hang in for 20 years or so
Record companies love to create IMAGE..and it’s a big part of the MUSIC BIZ.
If your smart you should care about your image and that includes your album cover art. Look OZZY, THE CLASH and PINK FLOYD sold a lot of records with image.
THE LOOK..says it all.. BUT..WOW..IF IT’S SEXY IT seems to sell more
JOHN EMMS is a veteran music journalist, radio show host and musician
No doubt..wanting to challenge your fans with your growth as songwriter is a big deal when your a succesfull band such as KOL. TRYING TO HARD can be dangerous. Maybe that comes when you sell 7 million or so units of your last album. I DON’T KNOW
BUT, KILLER SONGS ARE HERE–some of them in that big ambience. Using that same BIG SOUND..there are some I just don’t think the band fleshed out enough.
But to be sure…I am NOW getting into this album, BUT I have to be honest. I DID NOT LIKE THIS RECORD on the first 2 listens.
Let me also say I have to admit to only playing their dvd LIVE AT THE OZ once. I could barely get through it. They did not sound like themselves. It was BOMBASTIC at the time. I’m going to check it agian!!!!
PYRO..IS AN INSTANT CLASSIC though the U2 esque sound is strong. Caleb Followill’ ‘s lead vocal is yearning and gets under your skin, and that goes for the THE FACE There is something about the texture. Having said that The Immortals, and Mart should have been fleshed out more to find the nectar.
Back Down South is just plain pretty. ANOTHER CLASSIC. Beach Song is the band finding a new groove and it’s superb showing how their willing to tackle it. You have to love the way The Followill’s.. Matthew’s lead gtr stabs and the excellent bass and drums of Jared and Nathan groove. That goes ditto for simple effective Birthday, and possibly one of their best songs MI AMIGO. To be sure.. I will be playing a lot of this record on my new radio show
Yes maybe the band is tring too hard on some songs..and that shows. But, bottom line is you can’t get STUCK IN THE MOMENT AND NOT GET OUT OF IT.
KOL IS GROWING. come along for the ride..You will be glad you did!!!!!
JOHN EMMS is veteran music journalist, musician and RADIO SHOW HOST..CHECK HIS excellent song choices and past radio shows on APPLE ITUNES
http://itunes.apple.com/ca/podcast/collection-songs-johns-radio/id376049866
OR THE ONLINE SITE http://emms.podbean.com/
BOB DYLAN is singing in my living room, and we are having a blast!!!
Oh yes Bob had reason to smile when he started writing and recording. He and a few close knit friends and musicians knew deep down in their guts these were important songs. With these mono recordings IT’S LIKE YOUR HEARING DYLAN FOR THE FIRST TIME.
There is a startling clarity to his voice and yes those lyrics are now even more narrative. It’s hard to put your finger on it but these recordings sound like VINYL but without the pops and crackles.
On I Want You and Rainy Day Women both recorded in 1966 on Blonde on Blonde it sounds like the band is beside you.
Mr Tamburine Man, Tombstone Blues, and Blowin’ In The Wind sound like they were recorded yesterday AND YOU WERE AT THE SESSIONS.
Later I hope to REVIEW the entire 8 album MONO BOX SET. Look for my review of THE WITMARK DEMOS-BY BOB DYLAN-1962-1964
JOHN EMMS is a veteran music journalist, radio show host, and musician
IF the grafitti that proclaimed CLAPTON IS GOD was applied to RONNIE EARL’s guitar tone it might come out “EARL IS HEAVEN SENT”
Without going int0 the usual top 100 guitarists of all time scenario only a few guitar albums/ players in the last 10 years have riveted my attention in the way Earl has.
No question guitar players like Jeff Beck, John Mayer, Jack De Keyzer, Joe Louis Walker, Warren Haynes and others can lay claim to stopping you in your tracks but Earl is at the top of the mountain.
AND THIS CD IS YOUR PROOF
You can be anywhere doing anything but when you hear Ear’ls groove and lead lines snake in behind the Booker T wall of Dave Limina’s Hammond B-3 on the track Happy you just have to stop and absorb it.
That happens a lot on SPREAD THE LOVE. Check out the other wordly volume intro licks by Earl floating into your conscience on Patience, or the mighty groove of Lorne Entress’s drums and slinky bass work of Jim Mouradian as they propel Earl’s cover of Albert Collins’ Backstroke.
OH yes folks THE BROADCASTERS..worship at the chuch of Booker T and MG’s
Elsewhere Earl’s taps into Chili Con Carne from Kenny Burrell’s Midnight Blue period updating the sound but always staying true to Burrell’s original BLUE NOTE sound and feel. Piano man Limina gets “ALL OTIS’ on his tribute Spann on Spann’s Groove, with Earl ripping up T-Bone- esque double licks on the outro.
I can’t go into every track here, but when you hear Earl and The Broadcasters let loose on Blues For Slim you may run out and get your MIKE BLOOMFIELD cd’s and start cranking them.
IT’S quite possible this album may be the purest instrumental form of blues and soul of the last 10 years, and in it’s own way equal at times to the way the Memphis soul and the jazz period of Blue Note got into your guts. IT’S THAT GOOD
It would be nice to see this entire cd performed start to finish by the band and filmed in 5.1 HIgh Defintion Blu-ray.
That would be a treasure!!! Heck have a party and throw in a few guests like De Keyzer, Robillard and Landreth and put me beside the sound board!!!
JOHN EMMS is a veteran Music Journalist, radio show host, and musician
radio http://emms.podbean.com/ music www.johnemms.com www.theshaftmen.com
DUKE ROBILLARD makes a lot of music and is a stone solid bluesman. Some critics have said he records too often. This is true. Almost an album a year for the last ten years.
It’s safe to say most of those critics have not heard those recordings.
I was lucky enough to catch DUKE ROBILLARD during the few years he gigged with the FABULOUS THUNDERBIRDS. It was around the time of the album Walk that Walk, Talk that Talk.
To say I was blown away by his fret work at that gig would be an understatement. Bottom line is in those days DUKE rocked hard and authentic.
I did not catch up with his work again until the album TIME OUT OF MIND by BOB DYLAN and later his work with J GEILS on the Guitar Sumitt cd around 2004.
Since then I own ALL of his solo work. I LIKE it best when DUKE is writing and playing WITH LOTS OF GUITAR.
With his current album Passport to the Blues, for the most part THAT’S WHAT HE DOES.
His band of Doug James sax, Bruce Bears on piano, basssit Brad Hallen and especially drummer Mark Teixeira push the songs and Duke and that result is worth your money.
Workin Hard For My Uncle, Hong Kong Suit, and Blues Train open the album in a riff and groove driven way and that is good news. Robillard’s cover of the minor chord gutsy blowout on Tom Wait’s hard storytelling blues Make it Rain is downright dangerous.
For me personally less satisfying is the jazz of When Your Old Your Cold, and possibly 2 other tracks where Duke’s vocals could have been better.
I say a small price to pay, for what is a strong return to the BLUES
Elsewhere his own remake of The High Cost of Lovin is killer, as is the Hound Dog Taylor-esque (guitar and drums)instrumental romp of Bradford Blues, check out the DUKE while he burns off some licks on the slow blues workout of Grey Sky Blues, and Rhode Island Red Rooster. Now that’s what I’m talkin’ bout!!!
Check out my roots/rock/blues radio show http://emms.podbean.com/ where I will delve into more of this album and further NEW stuff from Ronnie Earl and Joe Louis Walker which I will review here!!
JOHN EMMS is a veteran music journalist, radio show host and blues rock musician http://www.theshaftmen.com/home.htm
John’s new solo singer-songwriter cd is available on Apple Itunes and here http://johnemms.com/
The debut of this film fully restored and remastered is a gem in the history of THE ROLLING STONES career and catalogue. Without question this dvd will gain huge interest internationally because of it’s former cult status, and for the fact there has been a lot of care put into it’s re-creation.
However what’s most important is that it clearly shows how commanding the Stones could be on a good night.
In fact, MICK JAGGER is quoted in the interview segment as saying that during the late 60’s and 70’s The Stones could be ramshackle and sloppy on stage, but on this particular four night run that the concert film draws from they were in pretty good form.
NO KIDDING.
For younger fans (the 80’s and onwards) this is a chance to see the mid era band with added muscle from Jim Price trumpet, Nicky Hopkins on piano, and Bobby Keys on sax.
The concert footage comes after the release of EXILE ON MAIN STREET and the 3 album run of BEGGARS BANQUET, LET IT BLEED, and STICKY FINGERS as a backdrop.
In addition it clearly shows how supple and superb MICK TAYLOR’S lead guitar lines weave in and out of the INTENSE GROOVE framework of KEITH RICHARDS, CHARLIE WATTS and the solid and interesting bass work of BILL WYMAN.
Jagger himself is prime front man form. In fact let’s face it other than ELVIS PRESLEY, JAMES BROWN, and OTIS REDDING.. and later BONO and MICHAEL JACKSON..MICK JAGGER is the holy grail of lead singer/frontman who just happend to co-write some of rock’s biggest songs.
To be fair there has been some cutting from performances, as you notice Richards using different guitars and Jagger in different clothes in the same song, but overall this is the Rolling Stones in their rawest decadent form.
Soundwise I like to play this dvd in LPCM stereo mode as opposed to the dts surround. I find it presents the band in a more direct to the ear presence. Kind of like you were centre seat 10 rows from the stage. Also I just DON’T think the separation holds up well especailly when solos are being laid down, whether it’s Bobby Keys sax work or Taylor’s exceptional lead guitar.
THERE are absolute killer versions of DEAD FLOWERS, LOVE IN VAIN, MIDNIGHT RAMBLER, ALL DOWN THE LINE, and HAPPY and for the first time fans can revel in songs like Sweet Virginia and Rip This Joint.
Overall the blu-ray film is not your typical high gloss package you normally see. THAT SUITS me fine becuase it fits the era of when the film was shot.
110 minutes including Jagger interviews and Tour Rehearsal footage (wow)
THIS DVD will be available world-wide from EAGLE ROCK ENTERTAINMENT October 12 2010.
JOHN EMMS is a veteran rock music journalist, musican and radio show host http://emms.podbean.com/
CHECK OUT John’s review of RON WOOD’S brilliant new solo cd..on this page
visit john www.johnemms.com
and the band www.theshaftmen.com
great way to start 2010..and shania’s new show will blast of 2011-a look back-Shania’s BIG HEART blasts into 2010-Olympic torch run captivates thousands-by john emms
THIS WAS A GREAT WAY TO START 2010..EH SHANIA FANS”
It would not be Timmins if it was not minus 40 below zero with the wind chill would it” said SHANIA TWAIN while laughing and grinning from ear to ear as she stood on a makeshift stage speaking to the thousands in attendance at the Timmins leg of the Olympic torch run
As most of you readers know I’m usually in the role as a music journalist, or as a musician with our band THE SHAFTMEN but tonight I got caught up in the excitement of the Olympic torch relay with Shania Twain.
SHANIA’S BIG HEART RULES- I don’t have to tell all of you fans that, look at the smile on that face
I have ALWAYS been a huge SHANIA supporter and equal Timmins area born supporter of everything heritage and culture in our city.
I have stayed clear of the controversey relating to who should carry in the Olympic torch. Most of you SHANIA fans worldwide who will read this don’t know that we have an Olympic gold medalist in KATHY KREINER who won GOLD at the 1976 Olympics in Innsbruck Austria.
IN FACT, she is the only Timmins born native to win Gold at any Olympic summer or winter.
THAT FOLKS IS HUGE
Mayor Tom Laughren drew BIG applause when he mentioned both Kathy and her sister Laurie who also was a medalist.
OUR SHANIA MADE IT A GLORIOUS TIMMINS NIGHT, COULD YOU IMAGINE if KATHY and SHANIA both were up there
I was standing about 4 or 5 feet from the stage with my skin literally frozen and fingers barely able to function with my grandson James. He is a HUGE Shania fan and I wanted to get him up close and personal
I CAN ONLY imagine what SHANIA was feeling but I can say that the feelings from all of the fans gathered despite the bitter cold was overwhelming
TIMMINS DID IT.. and SHANIA WAS EXCITED..THIS WAS HISTORY IN THE MAKING
SHANIA mentioned “how much spirit Timmins and indeed people of the North have for standing hours in freezing cold” She is bang on right. There is a lot of heart and soul in this town and tonIght it was out in full force, just like it was when Kathy Kriener came home a national sports hero.
From Eilleen’s humble beginnings to her many awards and Global status one thing is for sure. Tonight’s Olypmpic Torch Run will have her heart and head spinning as she lays down to sleep. BRAVO EVERYONE
JOHN EMMS is a 20 year veteran music journalist. He has written many articles about SHANIA and many other artists. He also does cd, dvd reviews for all major domestic and International labels.
JOHN is also the songwriter/vocalist with THE SHAFTMEN…you can see more of Timmins history and the band at
Taylor, Shania, Vince, Elvis, The Shaftmen, Hank Sr, Waylon, who’s really singing? by john emms
CAN’T WAIT FOR SHANIA’S NEW SHOW ON OPRAH NETWORK..here is a column of interest for fans
VINCE GILL is known as being a great player and excellent country vocalist
Gill has also been quoted as being against the “whole auto-tune craze” that is affecting modern country music.
Hell what would have Hank Williams Sr, and good Ol’ Waylon Jennings thought of this madness
Fast forward to Taylor Swift’s big Grammy winning night. I was not alone with my unflattering commentary on Taylor Swift’s Grammy vocal performance. Many publications weighed in. Let’s chalk it up to a rough night. We have all had them.
So then does it really matter? Well yes. THE BEATLES USED THE IN HOUSE P.A AT SHEA STADIUM IN 1965 …WITH A CROWD OF 55,000…..George Jones, Roy Orbison and Ray Charles were some of the best singers ever. NO tricks..just sing
Taylor has the smarts and talent to learn from this. Some people have suggested that Swift was brave not to use auto-tune. I can tell you most of the performers I know and admire have to my knowledge not used the pitch correction device in the studio or in live performance.
Personally you can watch any of our Shaftmen live takes on youtube recorded with one camera and small microphone, and most of the time my voice is pretty stable. And I can tell you like most singers I have some pitch problems. For me it’s the emotion of the performance
Taylor Swift is the youngest person to ever win A Grammy for Album of the Year, and Heck maybe i’m off by one or two but Shania Twain has won 5 GrammyAwards. ELVIS PRESLEY WON ONLY 3 GRAMMY AWARDS..WOW..YOU SAY
The 2010 Grammy audience share was up, and that was with the censoring of a riveting show from Eminem, Lil Wayne and Drake.
What does all this say about the future of the industry To quote my friends. ”Most of the buying consumer must be stupid”
I’ m going to go old school with Vince Gill on this one. WE ALL LOVE GREAT MUSIC..BUT LET’S GET BACK TO REAL SINGING AND REAL PLAYING
HECK, I don’t know if SHANIA has in the past or if she tours again will decide to use auto-tune or pitch correction.
I honestly don’t think she needs it. She started out like the rest of us. Little ol’ p.a. system with an old microphone handed down. If we can’t sing with the best gear in the world then maybe we should all get practicing .
JOHN EMMS..
VISIT JOHN..
www.johnemms.com